Imagination to Ink : Characters – Part Two

We tried out a small exercise and your imagination soared. Let’s analyze this exercise. You could outline a perfect character sketch from the description of the room. How did this actually happen? As I said before, an image instantly sprang before your eyes. But how did you really go about concretizing that image? By a very simple technique. Asking questions.
The articles in the room were suggestive enough. A person using a computer frequently lived in this room for sure. And he was so busy that he couldn’t even finish his sandwich, right? So, what do you think he does with his computer? Draws cartoons? Is he an animator? Perhaps that’s his profession! That certainly adds up to the picture of the monkeys on the wall. A hand-sketched picture, which meant probably that the picture, was drawn by the person in the room. What do the fresh flowers and the dog’s leash indicate? This person must be good-natured and loves animals. He owns a dog, who is naughty enough to upturn the paper basket? Or the person is so busy working on the computer, that he is neglecting the dog? What age do you think he or she is? Back ground. . .So you see, the more questions you ask about the character, the more you probe and the more you imagine!
A well-defined and well-described character gives a whole lot of strength and realism to a book. But to make the character believable, you need to work on him. Now you will understand that your character must stand the test of certain questions. How old is the character, how does he or she look? Hair, eyes, teeth, smile, height, weight? Does he have some special characteristics or behavioral oddity? What are his educational qualifications? Is he highly qualified or barely managed to scrape school? Is he working, rich, poor—what is his background? Does he come from a cultured, reputed family or is he an orphan? What religion is he? Does he pray regularly? All these questions, in context to your story become extremely relevant, even giving a direction to your story.
This not only applies to the central character, but also to the other major and minor characters, supporting the story line. Each character is important in whatever role he or she plays. Just be careful that you don’t pile the novel with unnecessary personalities, cluttering the scene. Every character must contribute to the development of the novel.
In a nutshell - the more you know about your characters, the more credible and interesting they will be within your plot. And certainly more endearing to the reader!

Imagination to Ink : Characters – Part One

Let’s talk about characters.
Sometimes ideas can come in the guise of characters. Like I said before, J.K.Rowling ‘met’ Harry Potter in a train journey. And the rest is history!
Characters play a very important role in a book. There is usually a central character or the ‘protagonist’ and there is the ‘antagonist’. The ‘good characters’ pitched against the ‘bad character’. And there are also the supporting characters, some minor but others important enough to add to the story.
It wouldn’t be wrong to say that characterization can make or break a book! Strong characterization can take the novel to great heights and weak characterization could prove fatal for the story. A well-formed, unique central character is like the engine of a train, which leads other characters smoothly on the tracks of the story!
But where do these characters come from? Specially the main central character? From your imagination, for sure, but sometimes also from your day-to-day interactions with people. Every day you meet several people. Some are boring, some interesting, but some may be distinguished enough to create an impact. Perhaps not the whole personality, but a particular mannerism, a trait, stays with you. This trait and mannerism may automatically concretize into a solid character or inspire a completely novel character.
A small warning : It is unadvisable to lift a whole character straight out of reality. You cannot discard the possibility that that person may object strongly to the idea of being ‘exposed’ in a book! And anyway, a good character is usually a combination of qualities ‘borrowed’ from different human beings.
Remember, that characters have to be realistic, believable and interesting enough to hold the reader’s attention. But what is most important is that, first and foremost, you have to believe in the character yourself. You have to live with the character, get to know his past, present and future so well, that he grows with you.
Here’s a simple, but interesting exercise :
Some articles are strewn in a room. There’s a dog’s leash on the floor, a hand-drawn framed sketch of a group of monkeys around a tea-table on the wall, fresh flowers in a vase, an upturned wastepaper basket, and a half-finished plate of sandwich on the table where a computer is on, with the picture of a cartoon on the screen. Try to imagine who must be occupying this room. Immediately, a vague picture of a person must be materializing before your eyes. An image must be forming in your mind. Write down every thing you can visualize about this character and send me your results.

Imagination to Ink - Idea

'Books choose their authors; the act of creation is not entirely a rational and conscious one,' says Salman Rushdie.
Absolutely! Great books have found their authors. But even then we have to start a conscious process at some point. A concrete thought. A germ. An idea. You have to have an idea for a story. But where does this idea come from?
Have you ever woken up restlessly from your sleep, with something jiggling in your mind? Something that you dreamt perhaps or some incident that happened? That could be the vague hint or beginning of an idea!
Ideas can come from almost anywhere. Day-to-day life. Newspapers, books, dreams, songs, films, workplace, people on the streets, shops. While you are exercising, in the bathroom, while you’re shopping, listening to music or to your neighbor’s chatter, hearing a dog bark or doing absolutely nothing. It may crop up suddenly in a quiet, totally silent moment. Sometimes it’s one idea, sometimes there are too many at a time. The one that keeps recurring—that sticks in your mind—is the one that has to be developed!
J.K.Rowling was traveling by train from Manchester to London, when the idea of Harry Potter fell into her head. . . . Agatha Christie says, "they come suddenly, I even don’t know how. Whenever I am listening to opera, walking on the street… they come from everywhere!”
The fact is that there is no sure-fire method of finding an idea. But that doesn’t mean we cannot try to attract one. One way is with brainstorming. Which is a random generation of ideas. Sit with a friend and throw out different ideas that come to your mind, without checking their workability. Write them down if you like. If you have too many ideas vying for attention, write all of them down! Then keep going over them, considering each possibility, till finally you hit on the one that really appeals to you.
Another way is to stop worrying too much. Don’t pursue it in a frenzy. The more you push your mind, the farther the idea will go. Relax, keep your mind open, observe everything and everyone around you and before you know it, THE IDEA will have found you!
If you don’t already have a story in your mind, try these methods out. There is never a certainty but anything may work.
Here’s a simple exercise to stimulate your brain. Jot down ten words that immediately come to your mind. Don’t think. Just write down any ten words. Then look at the words. They may be disconnected. Using the words, make sentences in such a way that all ten sentences are interconnected. Through out this process, observe the way your mind tries to reach out to different ideas. Try this exercise and tell me your experience.

Imagination to Ink - What do you want to write?

What do you want to write?
You're here! Which means that you do believe that there is a writer in you. Good, so let's get started.
You are already aware that there are different types of books - Romance, Romantic Suspense, Crime, Mystery, Thrillers, Children's fiction, Science-fiction, Fantasy, Horror and many others. What do you really like to read?
Reading is a natural habit with most writers. We are exposed to a variety of books from a very young age. So many generations have grown up reading the Enid Blyton books as well as classics by Jane Austen, Somerset Maugham and others. For those who believe that love is the key word, Romances play a big role. It is not at all surprising that Mills & Boon, Silhouette—the romantic genre has been going strong worldwide. On the other hand, brain-racking mysteries are also extremely popular. Agatha Christie—the Queen of Crime—still rules the world with her unmatchable tales of suspense.
Preferences may differ and reading habits may vary. But the indisputable truth, is that a good read may come from any genre. But what you have to decide is what you would like to write. Should you write what you like to read or should you experiment?
Personally, I believe that you should begin by writing what you like to read. Don't forget that you are a reader after all! Also remember that writing is a tough job. Someone once said that "writing is a combination of ditch-digging, mountain-climbing, treadmill and childbirth. . ."
So, if you are going to experience all these hardships to reach the ultimate pleasure and satisfaction of a complete novel, you may as well begin with a genre or a story that is close to your heart. Because only then will you be motivated to put your heart and soul into the work. Only then, will your story reach and touch other hearts.
There's no harm in experimenting, of course. Trying out genres that you would like to explore, is like trying to prove something. Sometimes to others, sometimes to yourself.
What is most important is that you write for yourself. If you like what you write, then there's a chance that others will too. But if you write with others in mind, it is certain that you may lose interest along the way and your work would be a half-hearted attempt.
Either way, think of Benjamin Franklin's famous quote—"Either write things worth reading or do things worth the writing!

Those poor dogs. . .

Every time I see a hungry dog or pup, staring at me hopefully and with beseeching eyes, the most terrible feeling overcomes me - that of helplessness, of inadequacy. I am already feeding several dogs in our locality - braving the hostility of the neighbours, going against the tide. . . But I wish with my whole heart that I could feed some more. I wish I could create a world for the dogs, amidst humans. A world where love and food abound, where man's fears and hatred are permanantly vanquished, where dogs feel safe and wanted. . .
But going by the recent callous judgement passed by the Bomaby highcourt, this dream seems farther than a dream. I can't imagine how anyone can treat a being's life, so lightly. By passing a death statement for dogs who are considered as a 'nuisance', the judges have revealed their inadequacy at handling a delicate matter, as well as their immaturity regarding a life and death issue. By using a common place word 'nuisance', they have given the animal haters access to a magic wand. And further more, giving the corrupt and uneducated civic officials the authority to decide on whether to kill the dogs, is almost ridiculous. How can anyone, leave alone respectable judges, be so irresponsible? Those poor dogs. . .

Imagination to Ink - Part 1 Are you a Writer?

Have you ever felt a crazy urge to drop everything that you’re doing, to write down an idea niggling at the back of your head? Or have you ever scribbled a story so furiously, that you were oblivious to the outside world? If yes, then you are on the right page.
This post is for all those who have always wanted to write novels – but just didn’t know how to get started. It’s for all those who have yearned to get their disorderly thoughts, in order enough to put them down systematically on paper. It is also for all those who know what fiction writing is all about, but just can’t seem to get down and do it!
First of all, let’s understand who can be a fiction writer. Answer these questions :
Do you have a story to tell?
Are you motivated to write from your heart and not your head?
Do you think writing will give you the emotional and mental satisfaction that you crave?
Do you think your creative urges will be met with writing?
Do you feel an insatiable need for self-expression?
If your answer, to at least three of these questions, is in the affirmative, then you are certainly on the right emotional and mental plane.
Like any artist, there are usually two kinds of writers,. You are either born one, which means that you simply touch pen to paper and your ideas flow smoothly. This is an inborn art, which can be nourished but which is basically spontaneous.
Then there is the other kind of writer – the ‘Trained’ writer. A person who has a command over the language but who needs to learn and acquire the technique of weaving that language into a gripping read.
Both these writers however, in the long run, have to face similar problems and thus, should possess some basic qualities. There are certain unavoidable ‘musts’ for a fiction writer. You must be highly imaginative, observant, flexible, ready to work very hard, be confident of your work, be self-disciplined, have lots and lots of patience, and most important of all, be open to criticism.
If you wish to be a writer and if you don’t possess these qualities, how about beginning to acquire them? At the same time, I think it is absolutely essential to understand two rather daunting facts. First – that writing is a lonely job. And second - Writing is 1 percent inspiration and 99 percent perspiration!
So the first step is to assess yourself, long and hard and find out – do I really want to be a novel writer? If the answer is yes, join me in the next post!

These days of Terror. . .

Like the whole world, I have been glued to the television, watching with horror, the terrorist attacks on dear old Mumbai. It was unimaginable - the gunshots, the blood, the terror and the innocent lives lost. I have also watched with admiration the determined counter-attack of the NSG commandoes, their diligence - their bravery and skill is incomparable. I salute the policemen, armymen and commandoes who gave their lives up to fight the terrorists. And my heart goes out to all those who had to experience the cruel reality of terrorism and those who, finally, ruthlessly were made to succumb to it.

But what have we achieved at the end of this gruelling experience? Sure our strenghts and weaknesses are now open to the world to analyse and dissect. Questions and answers will be fired and backfired. Accusations hurled, some steps perhaps taken. But for those who have lost their lives - it is too late. Nothing can bring them back. I feel so sad, angry and disturbed. . .

Indians have to take action. Have to quit their differences and unite against whoever is trying to destroy our secularism, our peace and our vibrant energy. We may not be able to undo what has been done - but we may show respect for those gone, by forgetting our personal disputes to come together for this worthy cause.

Taj and Oberoi - icons of south Mumbai would bounce back with doubled energy. And I wish Mumbai a quick and safe recovery - it is the heartbeat of India. And will remain so for centuries to come.